Universal Audio Apollo x16 Thunderbolt 3 Audio Interface Heritage Edition
The new Apollo Heritage Rack Editions deliver a premium software suite of 10 award-winning UAD plug‑ins titles — including the full Collections from Teletronix,® Fairchild,® Pultec,® Helios,® and UA — conveniently packaged at significant savings.
These are the same UAD plug‑ins that built UA’s reputation for analog modeling over the past decade — including vintage compressors, EQs, mic preamps, and reverb — giving you the most accurate library of classic analog emulations anywhere, right out of the box.
UA's flagship converter
•18 x 20 (16 x 18 analog I/O) Thunderbolt 3 audio interface for Mac and Windows
- •Flagship conversion with 133 dB D/A dynamic range
- •16 channels of analog I/O via DB-25 connectors
- •HEXA Core UAD plug-in processing
- •7.1 Surround Sound monitoring
16 Channels of Elite Audio Conversion, HEXA Core Processing, and Surround Sound Monitoring. There are no built-in mic preamps in the UA Apollo X16.
The flagship Apollo x16 allows music producers, project, and post-production studios to track, overdub, and mix with new world-beating A/D and D/A conversion, HEXA Core UAD plug-in processing, Dual-Crystal clocking, and 7.1 surround sound monitoring — all in a sleek rackmount Thunderbolt 3 audio interface for Mac or PC.
Built upon UA’s 60-year heritage of audio craftsmanship, this 18 x 20 interface boasts the widest dynamic range (133 dB) and lowest THD+N (-129 dB), of any integrated audio interface on the market. Plus, with all-new HEXA Core processing, you’ll get 50% more DSP for running acclaimed UAD Powered Plug-Ins in real time.
Record with UA’s flagship A/D and D/A conversion — providing the widest dynamic range and lowest noise available, at any price
Easily connect to professional studio gear with 16 x 16 analog I/O via DB-25 connections, plus switchable +24 dBu headroom settings
Mix with powerful HEXA Core processing, featuring 6 UAD DSP chips for running more UAD Powered Plug-Ins in real time
Integrate with high-end commercial systems, via 7.1 surround sound monitoring with speaker calibration and fold‑down
UA’s Flagship A/D and D/A Conversion
With thousands of chart-topping songs and hundreds of Grammy-winning albums under their belt, Apollo interfaces are no strangers to tracking stellar-sounding records. To improve on the previous generation Apollo interface’s class-leading audio conversion, UA engineers obsessively auditioned the latest A/D and D/A converters — ultimately pairing elite-class 24-bit/192 kHz converters with all-new analog circuitry for an ultra-pristine signal path.
The Apollo X series also introduces new Dual-Crystal clocking — featuring dedicated crystals for 44.1/88.2/176.4k and 48/96/192k sample rates — resulting in stunningly low jitter, measured at less than 10 picoseconds. This translates into pure, artifact-free recordings and solid stereo imaging you can trust.
With 133 dB dynamic range and THD+N of -129 dB, the Apollo x16’s open, natural sound quality bests every interface in its class — regardless of price — and is the perfect starting point for applying UAD processing.
Realtime UAD HEXA Core Processing
Apollo x16 features new HEXA Core processing, with six DSP chips and 50% more UAD plug-in processing power than previous Apollos. This lets you run more UAD plug-ins, whether you’re tracking in real time with channel strips from Neve, Manley, or API, or running high UAD plug-in counts when mixing in your DAW.
From the tube warmth of Pultec EQs on guitars to the musical tube limiting of the LA-2A on vocals, or the pump of a genuine 1176 or Fairchild 670 tube compressor on drums, your recordings will take a giant leap forward with a rich, three-dimensional analog sound that UAD plug‑ins provide.
A Full Suite of Classic Analog Processing Onboard
Of course, a hallmark feature of Apollo is its Realtime UAD Processing, letting you run the full library of UAD plug-ins with near-zero latency. Apollo x16 includes the Realtime Analog Classics Plus plug-in bundle, so you can record and mix with the world’s only authentic Teletronix LA-2A, 1176LN, and Fairchild compressors, Pultec EQs, and many more.
Going beyond the included Realtime Analog Classics Plus plug-ins, Apollo x16 lets you tap into the full UAD Powered Plug-In library of legendary vintage EQs, compressors, reverbs, tape machines, channel strips, and more — at near-zero latency, regardless of your audio software’s buffer size and without taxing your computer’s CPU.
With exclusive emulations from SSL, Neve, Studer, Manley, Helios, API, Ampex, Lexicon, Fender, and more,† it’s like having a studio full of iconic analog gear, in a single rack space. And unlike competing interfaces, these award-winning DSP-powered plug-ins are also available in your DAW for mixing.
Surround Sound, Talkback, and More
The Apollo x16 features built-in front-panel monitoring functions including a Talkback mic, Alt Speakers, and assignable Dim or Mono control. Plus, with its comprehensive 7.1 surround monitoring support, Apollo x16 is a boon for engineers and producers working on audio and music for video games, television, and the web. In addition, Apollo x16 offers selectable +24 dBu operation for out-of-the-box compatibility with professional mixing consoles and other high-end pro audio equipment.
Build an Expanded Studio System Over Thunderbolt
Apollo x16 offers 16 x 18 simultaneous inputs/outputs (16 x 18 analog I/O) and two built-in Thunderbolt 3 ports. This allows users of any Thunderbolt-equipped Apollo Twin or Apollo rackmount audio interfaces to easily combine up to four Apollos and six total UAD-2 devices — adding fast, high-bandwidth I/O and DSP as your studio grows.
Apollo: The Choice of New-School Professionals
Apollo is the confirmed choice of hit-making professionals, used to record landmark albums by Kendrick Lamar (DAMN.), Chris Stapleton (From A Room: Volume 1), Arcade Fire (Everything Now), Post Malone (Beerbongs & Bentleys), and more. The Apollo range of interfaces has earned numerous industry awards from Sound on Sound, Future Music, and Electronic Musician — as well as the prestigious 2016 TEC Award for computer audio hardware.
Inputs Line Inputs (DB25) 16 Balanced via (2) 25-pin D-sub Digital Inputs (XLR) AES/EBU: 2 channels @ 44.1 – 192 kHz A to D Conversion Line Inputs Dynamic Range: 124 dB (A-weighted)
THD+N: -115 dB (0.00018%)
Frequency Response: 20 Hz – 20 kHz, ±0.05 dB
Outputs Line Outputs (DB25) 16 Balanced via (2) 25-pin D-sub Monitor Outputs (XLR) 2 Balanced (Left/Right) Digital Outputs (XLR) AES/EBU: 2 channels @ 44.1 – 192 kHz D to A Conversion Line Outputs Dynamic Range: 127 dB (A-weighted)
THD+N: -123 dB (0.00007%)
Frequency Response: 20 Hz – 20 kHz, ±0.02 dB
Monitor Outputs Dynamic Range: 133 dB
THD+N: -129 dB (0.00004%)
Frequency Response: 20 Hz – 20 kHz, ±0.02 dB